marlowe1: (PIGGY!!!!)
68. Grendel: The Devil's Odyssey by Matt Wagner & Brennan Wagner - So I think this is it. Decades in the life of the artist/writer. Months reading the thing. Grendel is back to being one lone cyborg but this time he's searching the stars looking for a new home for humanity. The politics of Grendel-Khan and all the Grendel soldiers carrying out the dictates of a dying empire (who in many cases just become biker gangs and militias) is left behind.
Instead we get Grendel traveling from planet to planet and finding out why it's really bad for resettling. There's the planet where everyone is in suspended animation. There's the planet where everyone settles their differences by trial by combat. There's the planet where everything was automated but all the automation killed the humans. In pretty much every case, Grendel ends up killing a bunch of people. The trial by combat planet he really tries to prove that trial by combat is bullshit until he ends up against the main leader and the main leader kills his one friend so he just kills the leader and that turns everyone against him.
So in the end - yeah they encounter a big alien federation that sends him home so an earth where the Grendels (and most people) are dead. To be continued in books that haven't been published yet.

69.I am the Only Running Footman by Martha Grimes - Someone pointed out that there are many British mysteries where they are investigating a case but it's connected to another case. So that's the deal with this book. A woman gets strangled with her scarf. Another woman was strangled in the past. The detectives investigate. The scene shifts to other characters, mostly the family of the main suspect. Not really sure what the scene shifts really do for the story besides telling the reader the identity of the killer with a lot of last minute explanations concerning the patterns of the mystery. The killer is only identified in the last page when he tries to kill a witness. But it's not a surprise. The witness even gets a bunch of chapters that don't really add much. They almost seem like their own short stories.

Still decent writing style. I won't rush out to buy the next Martha Grimes book I can find but I will read the ones I currently got.
marlowe1: (Serenity)
35. Snow, Glass, Apples by Neil Gaiman and Coleen Doran - I thought that Tanith Lee wrote this story. I heard of a story about Snow White being a vampire while the queen was trying to keep her evil from the rest of the kingdom and it seemed like a Tanith Lee story. In fact, I read this story and I still thought "Are you sure this is a Neil Gaiman story? Because it really seems like it Tanith Lee wrote it. Even when I looked up Tanith Lee's Snow White story and found out it was much more chaotic and crazy than I had imagined I still thought this was one was Tanith Lee.

Anyhow, the queen marries the king and loves him but then the king's freaky daughter - skin white as snow, lips red as blood (seriously this is a weird way to talk about a heroine in a fairy tale if she's not a vampire) bites her. And then she notices that the king is falling apart and getting bitten. The story goes from the Snow White one but her heart is literally cut out. The prince actually fucks the dead Snow White and then the apple comes out of her throat. And then Snow White and the Prince take over and the queen ends up waiting for death.

Not many surprises, but what really sells this story is the art. I think I need to find more Coleen Doran illustrated comics because she's definitely has a personality that comes through in her artwork.

36. The Hounds of Skaith by Leigh Brackett - This one moves along fine but toward the end it loses a great deal of energy. I think the part that kills it for me is when our hero is trapped in the middle of a religious fanatic crowd and there's a great deal more being promised than the fairly straightforward continuation of the John Carter of Mars type story. There's also a part where one of the characters says that he hates the hero because the hero might have saved some people and might be doing some good (especially when it comes to getting everyone off the planet) but ultimately the hero brought political instability. Even the worst governments are still governments and people are going to suffer when they collapse, especially if there's no viable alternative to take their place.

(of course, in the case of the worst of the worst like Nazi Germany, fuck those people).

Leigh Brackett is an interesting writer and I'm glad Chip Delany talked about her on Facebook so I can buy some of her books off of eBay, but I'm not going to be spearheading the movement to bring her back into the popular conscious.

Oh yeah, he's also accompanied by telepathic killer dogs. In the end he has to fight one who decides to be the leader. I kind of checked out by that point.
marlowe1: (Serenity)
74. There is a Tide... by Agatha Christie - I liked this book. I enjoyed the fact that Hercules Poirot doesn't show up until halfway through. I was relatively pleased that Christie gave an obvious answer to the murderer (the guy being blackmailed by the man claiming to know something) and then subverting those expectations and but then also fulfilling them. The basic story is that a woman inherits everything from her rich husband who has been taking care of his family. The woman and her brother are in town with the entire family resenting them both. Then someone shows up claiming that the woman's marriage wasn't legal because her first husband is really alive and he has proof. That guy ends up dead. Not going to give away anything except for the epilogue ending.

The epilogue ending involves one character who finds the brother sexy and doesn't want to go back with her fiance. Her fiance is boring. The brother is sexy. Her fiance has been engaged for years. But at the very end, she decides that she doesn't want the brother. She wants her boring fiance. So happy ending right? NO. The fiance tries to STRANGLE HER at one point in the book. So the only reason why she wants to be with this guy is because he tried to murder her. This is the most depressing ending in a Christie book and it's even more depressing because she frames it as a happy ending.

75.The Omega Men: The End is Here by Tom King and Barnaby Bagenda - This is a grand space opera with a minor Green Lantern (a white Lantern no less) getting involved in a rebellion/revolution against an interplanetary tyrant who killed everyone on a planet in order to prevent another Krypton. There's a lot of tyranny, space battles, sacrifices and it ends with everyone that we expected to be heroes trying to run their planets in the worst way possible. I liked it even with the bummer ending. Still I saw the ending only because I'm reading On Revolution by Hannah Arendt.

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Tim Lieder

December 2023

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